There's something to remember because this comes up in aerial a lot, too. And from what I can tell, any technical discipline ever. For one thing, the good and experienced dancers make anything they are performing look really easy. It's not performance ready if it doesn't look easy. So right away, anyone watching a good performer, regardless of the performer's skill level, will react in a way telling them it must be easy (or at least, not horribly difficult), after all, it looks so easy.
Another thing that really gets me is that the unexperienced eye cannot distinguish between many of our pole tricks. Which isn't surprising, I remember watching trapeze videos before I ever started that blew me away, totally and completely. Now, when I find a trapeze piece I love, I usually love it for its technicality, for knowing just how hard it is, the complexity of transitions, the musicality etc. Basically, the average person might not really see the difference in scorpio or gemini, split grip vs elbow grip, and they definitely don't know how much working for all the skills hurts or the time it takes. I read about a Cirque du Soleil juggler talking about how when jugglers get technically really difficult, and audience can't appreciate it the way other jugglers can. Because an audience can't tell the difference in juggling 5 balls or 7 balls. But there's a huge technical difference there. If one asked people after the show about the juggler, all they remember about the show was WHAT he was juggling (balls, rings, clubs). Not how many. Not how difficult.
In combination, both of these things make the average person watching performances not particularly capable of determining the skill level of a person. It's good and bad. It means a performance can be great without being technically really difficult. Because performances are so much more than just technical skill, usually. But it also means that if you bust your ass for a move, perform it when its ready, absolutely no one in the audience is going to know how damn hard it was to get, and they might clap more for something you didn't have to work for at all. Something you got the first time you tried it so you put it in your piece as a resting point. Ugh. That used to happen with trapeze a lot to me.
Bottom line. I wouldn't think its a big deal. There's nothing wrong with being level one. Everyone was at one time. Most people not involved in performance arts don't have a frame of reference for the difficulty of performance art.